In Which Pitchfork Makes Sense of Lady GaGa and Millenial Pop

Pitchfork's recent list of the top 500 songs of the 00's seemed a bit premature, as it's 2009. I'm sure it's just chock full of misplaced songs, missing entries, and love for artists who in no way deserve it. But to be perfectly honest, I haven't combed through the list at all, because the particulars don't concern me. I can't even think of 500 songs from the last 9 or so years, let alone rank them.

But if you're interested in what's been happening in pop over the last decade, then check out Tom Ewing's wrap-up essay, "The Decade in Pop." It's one of the best pieces of music crit I've read in a long time. He distills the list (I assume) into a thoughtful critique of just what the hell happened in the 00's, and how it shaped a new pop. I don't buy it all (the argument that American Idol is music criticism on a national scale seems a little flimsy to me), but what I kept thinking while reading this piece, which seems destined for next year's Best Music Writing anthology, was "this is on Pitchfork?!" Now, I don't hate Pitchfork as much as some, in fact I think it's a pretty alright central voice in online music writing, if at times a bit heavy handed. But aside from the odd well-written album review, I don't think I've ever read such a thought provoking piece on their site. Maybe it's that I haven't been paying attention all that much. Go check it out.

The Decade in Pop [pitchfork]
The Top 500 Tracks of the 2000s [pitchfork]

The TDOS Stimulus Package for Top 40 Radio

We want to propose two provisions to save pop radio from itself: 1) Increased use of foot stomps for percussion (and I'm talking real feet on hard wood here, not some prerecorded Pro Tools business), and 2) a healthy amount of "doo-langs" and "she-doops." Even through the terrible sound quality in the above clip, this song sounds about 1000 times more vital than anything on the radio today.

The Velvettes - Needle in a Haystack [youtube]