You Should Be Here: Raphael Saadiq, Terminal 5, NYC, 12.4.09

Top ten personal epiphanies that occurred during last night's show (in no particular order):


10. This performance is the closest thing to a Motown revue I will ever witness, Cholly Atkins' routines, in the pocket drumming and immaculate salmon colored suits included

9. The subtle subconscious ramifications of an outfit change cannot be ignored, especially if said salmon colored suit is involved

8. Raphael Saadiq may just have a 100% flawless career, starting with his tenure playing bass for Prince and Sheila E. at the age of 17

7. I have not felt this hormonally jubilant since a Tyrese show at the Chicago House of Blues circa 1998

6. 43 is the new 23

5. Nothing, and I mean nothing, is sexier than rolled up shirt sleeves*

4. Fashion glasses don't bother me if they are replicas of David Ruffin's

3. I still wish Lucy Pearl would reunite

2. After all these years, "Anniversary" still makes my heart flutter

1. I don't care how many times I hear the line "I got more than just a big stick and some money" I still believe it is pure poetry

*with the exception of the shirt sleeves being pushed up in order to better play a bass, and play it well. Very well.

So Anxious

Next week kicks off Central Park's SummerStage. TV on the Radio gets things started Friday June 5th, but the acts I am super duper pumped for are Les Nubians (I have never gotten the chance to see the French-Cameroonian duo live before, as an unfortunate last minute email cancellation from Ticketmaster came right before a Boston gig my sophomore year), Q-Tip, Jazmine Sullivan aaaaaaannnnnnd (drum roll please): GINUWINE, JOE AND CHICO MOTHERFUCKING DEBARGE. On one stage! "So Anxious" and "Pony" live? "Stutter" and "No Guarantee"? 1999 to my face.

Year End Lists: Two Hip-Hop Records That Actually Didn't Suck

Yeah, our best albums of 2008 list is late. Think of it like Nicorette: we're just trying to wean you off of the year end content slowly so you don't freak out and beat your spouse. There's no use arguing--although we encourage it in the comments.

Ben's pick:

9. Tim Fite - Over the Counter Culture
You know how I spent the whole year complaining about how hip-hop has no life, no verve, none of the sense of adventure or immediacy that made it such a vital form in the first place? Well, singer-songwriter/hip-hop folkie Tim Fite knows what I was talking about. Far flung beats, live instrumentation, even some scratching are to be found here, along with some of the most darkly comic and creative wordplay I've heard in a long time. On album opener "Place Your Bets," Fite gets deep on some anatomy shit: "Tell me true/ Can you ever win back the limb you lose?/ Or do you just lose your limbs again and again/ Until your life lies limbless/ There's limits to how much independence you can give an appendage/ Before the end of the hand is definitive/ That's why this tale is regenerative." Another highlight is "I've Been Shot," an ode to taking a cap to boost your record sales. "You know that I'm better than the next guy/ Even though we both sound exactly alike/ Is that Jadakiss or is that Tim Fite?" muses Fite on "It's All Right Here," winking at the stagnant rap scene he's trying to single handedly represent. [NOTE: I finalized my list and wrote this summary before realizing this record came out in February of 2007. Typical late discovery for me, but you know what? I don't care, this record was huge for me this year, and you can just comment your heart out if it bothers you.]

Isabelle's pick:

9. Q-Tip - The Renaissance
Having this album on my list is huge for me. Apart from some random singles (like the wonderful Dilla-d out "Let's Ride" and "Get Involved," a Saadiq collaboration from the PJ's soundtrack) Tip's solo career has been less than titillating for me. However, with this new record, we finally get the passion and essence of the former ATCQer that we have been missing. Even his track with Norah Jones is dope. With cameos from Saadiq, Amanda Diva and the mighty D'Angelo, The Renaissance eschews all that flashy "Vivrant Thing" bullshit and brings Tip back to basics. He produced the whole record himself, apart from the Dilla beat used for "Move," and the result is strictly butter.